assistant: Paulina Kowalska, Andrzej Bach workshop classroom: senate room, building A workshop dates: 24–26.04.2017, 9:00–17:00 lecture: 27.04.2017 15:00–15:30 The Curator as an Agent of Social Change Exhibitions can serve as a lightening rod to illuminate and broaden understanding of diverse human rights issues and movements past and present… Posters can become visible dissent. — Carol Wells Of all the delivery systems now available to explore purposeful ideas and artifacts, the exhibition format is the most immediate and effective means to tell our stories through a focused viewpoint. Unlike fine art, which is essentially about the form (the work’s intent, function and context are viewed through a formal lens), graphic design, in addition to its inherent formal considerations, is best scrutinized through the wider lens encompassing culture, commerce and the developing technologies. Exhibitions are also social acts and can be seen as one form of the social management of messages. The current popularity of exhibitions is due to the fact they help define and to transit to a specific community, ideas and values that are necessary for that group to maintain its self-image. Acting on this conviction, I have organized and curated four socio-political poster exhibition ‘narratives’ from 2005 to the present. Graphic Imperative: International Posters for Peace, Social Justice and The Environment (2005); Graphic Intervention: International Posters for AIDS Awareness (2010); Graphic Advocacy: International Posters for the Digital World (2013) and Women’s Rights Are Human Rights: International Posters on Gender-based Inequality, Violence and Discrimination (2016). This presentation will focus on these four particular opportunities to give voice to disenfranchised communities and their activists working toward the goal of social change. I have personally gained invaluable experience in working on these exhibition projects. This has lead to my firm belief that graphic design is an important artistic and cultural form, and as such, it should be made available and accessible to our students, to our professional communities and to the greater public who benefit by exposure to all forms of creative expression. Lecture: 
The Curator as an Agent 
of Social Change Design can and must become a way in which young people can participate in changing society.... The main trouble with design schools seems to be that they teach too much design and not enough about the ecological, social, economic, and political environment in which design takes place. This quote from designer Victor Papanek’s 1971 book, Design for the Real World, has never rung truer. Design students and young design professionals should focus their creative talents on social issues during their formative years to ensure that these ideals will carry into their professional life. Graphic designers, because of their visual art training, possess the strategic tools to create memorable messages. They should be encouraged to use these skills for community and activist purposes, and so that they might significantly contribute to public service and non-profit organizations by conceiving and promoting their awareness campaigns for the good of the society at large. The workshop assignment will be to develop and design an awareness or advocacy poster, or series of related posters for any current political, economic, or cultural issue present within Poland today, or a political, economic, or cultural issue affecting the world today like Women’s Rights including gender-based Inequality, violence against women and/or discrimination against women. Your poster(s) could be distributed through a direct-mail campaign to a general or target audience and/or posted in area institutions such as libraries, colleges, government offices, public transportation systems in and on trains and buses, bus shelters, free-standing street kiosks, and highway systems (billboards). Workshop: 
Women’s Rights Are Human Rights: Designing posters as agency for social change

Elizabeth Resnick

see you soon

Poster Museum at Wilanów

27.04.2017 opening exhibition 7.00 pm

Opening hours

Monday: 12:00 a.m.–4 p.m. (free admission)

Tuesday — Sunday: 10 a.m.–4 p.m.

Stanisława Kostki Potockiego 10/16 Street,

02-958 Warsaw www.postermuseum.pl

Polish-Japanese Academy

of Information Techlology

24-27.03  workshops and symposium

Open all week 10:00 a.m.–6:00 p.m.

Koszykowa 89 Street, Warsaw

www.pjwstk.edu.pl

Galicja Jewish Museum in Krakow

13.03.2018 opening exhibition 6.00 pm

Opening hours
 Friday — Wensday,

10:00 a.m.–6:00 p.m.

Dajwór 18 Street, 31-052, Krakow

www.galiciajewishmuseum.org/en

® Marta Zofia Myszewska

Organiser, designer WRaHR event

and manager of the collection in Poland

www.behance.net/martazofia

myszewska.marta@gmail.com

+48 664004966

Lecture: 
The Curator as an Agent 
of Social Change Workshop: 
Women’s Rights Are Human Rights: Designing posters as agency for social change see you soon
assistant: Paulina Kowalska, Andrzej Bach workshop classroom: senate room, building A workshop dates: 24–26.04.2017, 9:00–17:00 lecture: 27.04.2017 15:00–15:30 The Curator as an Agent of Social Change Design can and must become a way in which young people can participate in changing society.... The main trouble with design schools seems to be that they teach too much design and not enough about the ecological, social, economic, and political environment in which design takes place. This quote from designer Victor Papanek’s 1971 book, Design for the Real World, has never rung truer. Design students and young design professionals should focus their creative talents on social issues during their formative years to ensure that these ideals will carry into their professional life. Graphic designers, because of their visual art training, possess the strategic tools to create memorable messages. They should be encouraged to use these skills for community and activist purposes, and so that they might significantly contribute to public service and non-profit organizations by conceiving and promoting their awareness campaigns for the good of the society at large. The workshop assignment will be to develop and design an awareness or advocacy poster, or series of related posters for any current political, economic, or cultural issue present within Poland today, or a political, economic, or cultural issue affecting the world today like Women’s Rights including gender-based Inequality, violence against women and/or discrimination against women. Your poster(s) could be distributed through a direct-mail campaign to a general or target audience and/or posted in area institutions such as libraries, colleges, government offices, public transportation systems in and on trains and buses, bus shelters, free-standing street kiosks, and highway systems (billboards). Exhibitions can serve as a lightening rod to illuminate and broaden understanding of diverse human rights issues and movements past and present… Posters can become visible dissent. — Carol Wells Of all the delivery systems now available to explore purposeful ideas and artifacts, the exhibition format is the most immediate and effective means to tell our stories through a focused viewpoint. Unlike fine art, which is essentially about the form (the work’s intent, function and context are viewed through a formal lens), graphic design, in addition to its inherent formal considerations, is best scrutinized through the wider lens encompassing culture, commerce and the developing technologies. Exhibitions are also social acts and can be seen as one form of the social management of messages. The current popularity of exhibitions is due to the fact they help define and to transit to a specific community, ideas and values that are necessary for that group to maintain its self-image. Acting on this conviction, I have organized and curated four socio-political poster exhibition ‘narratives’ from 2005 to the present. Graphic Imperative: International Posters for Peace, Social Justice and The Environment (2005); Graphic Intervention: International Posters for AIDS Awareness (2010); Graphic Advocacy: International Posters for the Digital World (2013) and Women’s Rights Are Human Rights: International Posters on Gender-based Inequality, Violence and Discrimination (2016). This presentation will focus on these four particular opportunities to give voice to disenfranchised communities and their activists working toward the goal of social change. I have personally gained invaluable experience in working on these exhibition projects. This has lead to my firm belief that graphic design is an important artistic and cultural form, and as such, it should be made available and accessible to our students, to our professional communities and to the greater public who benefit by exposure to all forms of creative expression.
see you soon
Lecture: 
The Curator as an Agent 
of Social Change Workshop: 
Women’s Rights Are Human Rights: Designing posters as agency for social change
assistant: Paulina Kowalska, Andrzej Bach workshop classroom: senate room, building A workshop dates: 24–26.04.2017, 9:00–17:00 lecture: 27.04.2017 15:00–15:30 The Curator as an Agent of Social Change Design can and must become a way in which young people can participate in changing society.... The main trouble with design schools seems to be that they teach too much design and not enough about the ecological, social, economic, and political environment in which design takes place. This quote from designer Victor Papanek’s 1971 book, Design for the Real World, has never rung truer. Design students and young design professionals should focus their creative talents on social issues during their formative years to ensure that these ideals will carry into their professional life. Graphic designers, because of their visual art training, possess the strategic tools to create memorable messages. They should be encouraged to use these skills for community and activist purposes, and so that they might significantly contribute to public service and non-profit organizations by conceiving and promoting their awareness campaigns for the good of the society at large. The workshop assignment will be to develop and design an awareness or advocacy poster, or series of related posters for any current political, economic, or cultural issue present within Poland today, or a political, economic, or cultural issue affecting the world today like Women’s Rights including gender-based Inequality, violence against women and/or discrimination against women. Your poster(s) could be distributed through a direct-mail campaign to a general or target audience and/or posted in area institutions such as libraries, colleges, government offices, public transportation systems in and on trains and buses, bus shelters, free-standing street kiosks, and highway systems (billboards). Exhibitions can serve as a lightening rod to illuminate and broaden understanding of diverse human rights issues and movements past and present… Posters can become visible dissent. — Carol Wells Of all the delivery systems now available to explore purposeful ideas and artifacts, the exhibition format is the most immediate and effective means to tell our stories through a focused viewpoint. Unlike fine art, which is essentially about the form (the work’s intent, function and context are viewed through a formal lens), graphic design, in addition to its inherent formal considerations, is best scrutinized through the wider lens encompassing culture, commerce and the developing technologies. Exhibitions are also social acts and can be seen as one form of the social management of messages. The current popularity of exhibitions is due to the fact they help define and to transit to a specific community, ideas and values that are necessary for that group to maintain its self-image. Acting on this conviction, I have organized and curated four socio-political poster exhibition ‘narratives’ from 2005 to the present. Graphic Imperative: International Posters for Peace, Social Justice and The Environment (2005); Graphic Intervention: International Posters for AIDS Awareness (2010); Graphic Advocacy: International Posters for the Digital World (2013) and Women’s Rights Are Human Rights: International Posters on Gender-based Inequality, Violence and Discrimination (2016). This presentation will focus on these four particular opportunities to give voice to disenfranchised communities and their activists working toward the goal of social change. I have personally gained invaluable experience in working on these exhibition projects. This has lead to my firm belief that graphic design is an important artistic and cultural form, and as such, it should be made available and accessible to our students, to our professional communities and to the greater public who benefit by exposure to all forms of creative expression.
see you soon
assistant: Paulina Kowalska, Andrzej Bach workshop classroom: senate room, building A workshop dates: 24–26.04.2017, 9:00–17:00 lecture: 27.04.2017 15:00–15:30 The Curator as an Agent of Social Change
Exhibitions can serve as a lightening rod to illuminate and broaden understanding of diverse human rights issues and movements past and present… Posters can become visible dissent. — Carol Wells Of all the delivery systems now available to explore purposeful ideas and artifacts, the exhibition format is the most immediate and effective means to tell our stories through a focused viewpoint. Unlike fine art, which is essentially about the form (the work’s intent, function and context are viewed through a formal lens), graphic design, in addition to its inherent formal considerations, is best scrutinized through the wider lens encompassing culture, commerce and the developing technologies. Exhibitions are also social acts and can be seen as one form of the social management of messages. The current popularity of exhibitions is due to the fact they help define and to transit to a specific community, ideas and values that are necessary for that group to maintain its self-image. Acting on this conviction, I have organized and curated four socio-political poster exhibition ‘narratives’ from 2005 to the present. Graphic Imperative: International Posters for Peace, Social Justice and The Environment (2005); Graphic Intervention: International Posters for AIDS Awareness (2010); Graphic Advocacy: International Posters for the Digital World (2013) and Women’s Rights Are Human Rights: International Posters on Gender-based Inequality, Violence and Discrimination (2016). This presentation will focus on these four particular opportunities to give voice to disenfranchised communities and their activists working toward the goal of social change. I have personally gained invaluable experience in working on these exhibition projects. This has lead to my firm belief that graphic design is an important artistic and cultural form, and as such, it should be made available and accessible to our students, to our professional communities and to the greater public who benefit by exposure to all forms of creative expression. Lecture: 
The Curator as an Agent 
of Social Change Design can and must become a way in which young people can participate in changing society.... The main trouble with design schools seems to be that they teach too much design and not enough about the ecological, social, economic, and political environment in which design takes place. This quote from designer Victor Papanek’s 1971 book, Design for the Real World, has never rung truer. Design students and young design professionals should focus their creative talents on social issues during their formative years to ensure that these ideals will carry into their professional life. Graphic designers, because of their visual art training, possess the strategic tools to create memorable messages. They should be encouraged to use these skills for community and activist purposes, and so that they might significantly contribute to public service and non-profit organizations by conceiving and promoting their awareness campaigns for the good of the society at large. The workshop assignment will be to develop and design an awareness or advocacy poster, or series of related posters for any current political, economic, or cultural issue present within Poland today, or a political, economic, or cultural issue affecting the world today like Women’s Rights including gender-based Inequality, violence against women and/or discrimination against women. Your poster(s) could be distributed through a direct-mail campaign to a general or target audience and/or posted in area institutions such as libraries, colleges, government offices, public transportation systems in and on trains and buses, bus shelters, free-standing street kiosks, and highway systems (billboards). Workshop: 
Women’s Rights Are Human Rights: Designing posters as agency for social change
assistant: Paulina Kowalska, Andrzej Bach workshop classroom: senate room, building A workshop dates: 24–26.04.2017, 9:00–17:00 lecture: 27.04.2017 15:00–15:30 The Curator as an Agent of Social Change
see you soon
Workshop: 
Women’s Rights Are Human Rights: Designing posters as agency for social change Lecture: 
The Curator as an Agent 
of Social Change
Exhibitions can serve as a lightening rod to illuminate and broaden understanding of diverse human rights issues and movements past and present… Posters can become visible dissent. — Carol Wells Of all the delivery systems now available to explore purposeful ideas and artifacts, the exhibition format is the most immediate and effective means to tell our stories through a focused viewpoint. Unlike fine art, which is essentially about the form (the work’s intent, function and context are viewed through a formal lens), graphic design, in addition to its inherent formal considerations, is best scrutinized through the wider lens encompassing culture, commerce and the developing technologies. Exhibitions are also social acts and can be seen as one form of the social management of messages. The current popularity of exhibitions is due to the fact they help define and to transit to a specific community, ideas and values that are necessary for that group to maintain its self-image. Acting on this conviction, I have organized and curated four socio-political poster exhibition ‘narratives’ from 2005 to the present. Graphic Imperative: International Posters for Peace, Social Justice and The Environment (2005); Graphic Intervention: International Posters for AIDS Awareness (2010); Graphic Advocacy: International Posters for the Digital World (2013) and Women’s Rights Are Human Rights: International Posters on Gender-based Inequality, Violence and Discrimination (2016). This presentation will focus on these four particular opportunities to give voice to disenfranchised communities and their activists working toward the goal of social change. I have personally gained invaluable experience in working on these exhibition projects. This has lead to my firm belief that graphic design is an important artistic and cultural form, and as such, it should be made available and accessible to our students, to our professional communities and to the greater public who benefit by exposure to all forms of creative expression. Design can and must become a way in which young people can participate in changing society.... The main trouble with design schools seems to be that they teach too much design and not enough about the ecological, social, economic, and political environment in which design takes place. This quote from designer Victor Papanek’s 1971 book, Design for the Real World, has never rung truer. Design students and young design professionals should focus their creative talents on social issues during their formative years to ensure that these ideals will carry into their professional life. Graphic designers, because of their visual art training, possess the strategic tools to create memorable messages. They should be encouraged to use these skills for community and activist purposes, and so that they might significantly contribute to public service and non-profit organizations by conceiving and promoting their awareness campaigns for the good of the society at large. The workshop assignment will be to develop and design an awareness or advocacy poster, or series of related posters for any current political, economic, or cultural issue present within Poland today, or a political, economic, or cultural issue affecting the world today like Women’s Rights including gender-based Inequality, violence against women and/or discrimination against women. Your poster(s) could be distributed through a direct-mail campaign to a general or target audience and/or posted in area institutions such as libraries, colleges, government offices, public transportation systems in and on trains and buses, bus shelters, free-standing street kiosks, and highway systems (billboards).
assistant: Paulina Kowalska, Andrzej Bach workshop classroom: senate room, building A workshop dates: 24–26.04.2017, 9:00–17:00 lecture: 27.04.2017 15:00–15:30 The Curator as an Agent of Social Change
Workshop: 
Women’s Rights Are Human Rights: Designing posters as agency for social change Lecture: 
The Curator as an Agent 
of Social Change
Exhibitions can serve as a lightening rod to illuminate and broaden understanding of diverse human rights issues and movements past and present… Posters can become visible dissent. — Carol Wells Of all the delivery systems now available to explore purposeful ideas and artifacts, the exhibition format is the most immediate and effective means to tell our stories through a focused viewpoint. Unlike fine art, which is essentially about the form (the work’s intent, function and context are viewed through a formal lens), graphic design, in addition to its inherent formal considerations, is best scrutinized through the wider lens encompassing culture, commerce and the developing technologies. Exhibitions are also social acts and can be seen as one form of the social management of messages. The current popularity of exhibitions is due to the fact they help define and to transit to a specific community, ideas and values that are necessary for that group to maintain its self-image. Acting on this conviction, I have organized and curated four socio-political poster exhibition ‘narratives’ from 2005 to the present. Graphic Imperative: International Posters for Peace, Social Justice and The Environment (2005); Graphic Intervention: International Posters for AIDS Awareness (2010); Graphic Advocacy: International Posters for the Digital World (2013) and Women’s Rights Are Human Rights: International Posters on Gender-based Inequality, Violence and Discrimination (2016). This presentation will focus on these four particular opportunities to give voice to disenfranchised communities and their activists working toward the goal of social change. I have personally gained invaluable experience in working on these exhibition projects. This has lead to my firm belief that graphic design is an important artistic and cultural form, and as such, it should be made available and accessible to our students, to our professional communities and to the greater public who benefit by exposure to all forms of creative expression. Design can and must become a way in which young people can participate in changing society.... The main trouble with design schools seems to be that they teach too much design and not enough about the ecological, social, economic, and political environment in which design takes place. This quote from designer Victor Papanek’s 1971 book, Design for the Real World, has never rung truer. Design students and young design professionals should focus their creative talents on social issues during their formative years to ensure that these ideals will carry into their professional life. Graphic designers, because of their visual art training, possess the strategic tools to create memorable messages. They should be encouraged to use these skills for community and activist purposes, and so that they might significantly contribute to public service and non-profit organizations by conceiving and promoting their awareness campaigns for the good of the society at large. The workshop assignment will be to develop and design an awareness or advocacy poster, or series of related posters for any current political, economic, or cultural issue present within Poland today, or a political, economic, or cultural issue affecting the world today like Women’s Rights including gender-based Inequality, violence against women and/or discrimination against women. Your poster(s) could be distributed through a direct-mail campaign to a general or target audience and/or posted in area institutions such as libraries, colleges, government offices, public transportation systems in and on trains and buses, bus shelters, free-standing street kiosks, and highway systems (billboards).
see you soon
assistant: Paulina Kowalska, Andrzej Bach workshop classroom: senate room, building A workshop dates: 24–26.04.2017, 9:00–17:00 lecture: 27.04.2017 15:00–15:30 The Curator as an Agent of Social Change
Lecture: 
The Curator as an Agent 
of Social Change Exhibitions can serve as a lightening rod to illuminate and broaden understanding of diverse human rights issues and movements past and present… Posters can become visible dissent. — Carol Wells Of all the delivery systems now available to explore purposeful ideas and artifacts, the exhibition format is the most immediate and effective means to tell our stories through a focused viewpoint. Unlike fine art, which is essentially about the form (the work’s intent, function and context are viewed through a formal lens), graphic design, in addition to its inherent formal considerations, is best scrutinized through the wider lens encompassing culture, commerce and the developing technologies. Exhibitions are also social acts and can be seen as one form of the social management of messages. The current popularity of exhibitions is due to the fact they help define and to transit to a specific community, ideas and values that are necessary for that group to maintain its self-image. Acting on this conviction, I have organized and curated four socio-political poster exhibition ‘narratives’ from 2005 to the present. Graphic Imperative: International Posters for Peace, Social Justice and The Environment (2005); Graphic Intervention: International Posters for AIDS Awareness (2010); Graphic Advocacy: International Posters for the Digital World (2013) and Women’s Rights Are Human Rights: International Posters on Gender-based Inequality, Violence and Discrimination (2016). This presentation will focus on these four particular opportunities to give voice to disenfranchised communities and their activists working toward the goal of social change. I have personally gained invaluable experience in working on these exhibition projects. This has lead to my firm belief that graphic design is an important artistic and cultural form, and as such, it should be made available and accessible to our students, to our professional communities and to the greater public who benefit by exposure to all forms of creative expression.
Design can and must become a way in which young people can participate in changing society.... The main trouble with design schools seems to be that they teach too much design and not enough about the ecological, social, economic, and political environment in which design takes place. This quote from designer Victor Papanek’s 1971 book, Design for the Real World, has never rung truer. Design students and young design professionals should focus their creative talents on social issues during their formative years to ensure that these ideals will carry into their professional life. Graphic designers, because of their visual art training, possess the strategic tools to create memorable messages. They should be encouraged to use these skills for community and activist purposes, and so that they might significantly contribute to public service and non-profit organizations by conceiving and promoting their awareness campaigns for the good of the society at large. The workshop assignment will be to develop and design an awareness or advocacy poster, or series of related posters for any current political, economic, or cultural issue present within Poland today, or a political, economic, or cultural issue affecting the world today like Women’s Rights including gender-based Inequality, violence against women and/or discrimination against women. Your poster(s) could be distributed through a direct-mail campaign to a general or target audience and/or posted in area institutions such as libraries, colleges, government offices, public transportation systems in and on trains and buses, bus shelters, free-standing street kiosks, and highway systems (billboards). Workshop: 
Women’s Rights Are Human Rights: Designing posters as agency for social change
assistant: Paulina Kowalska, Andrzej Bach workshop classroom: senate room, building A workshop dates: 24–26.04.2017, 9:00–17:00 lecture: 27.04.2017 15:00–15:30 The Curator as an Agent of Social Change Lecture: 
The Curator as an Agent 
of Social Change Design can and must become a way in which young people can participate in changing society.... The main trouble with design schools seems to be that they teach too much design and not enough about the ecological, social, economic, and political environment in which design takes place. This quote from designer Victor Papanek’s 1971 book, Design for the Real World, has never rung truer. Design students and young design professionals should focus their creative talents on social issues during their formative years to ensure that these ideals will carry into their professional life. Graphic designers, because of their visual art training, possess the strategic tools to create memorable messages. They should be encouraged to use these skills for community and activist purposes, and so that they might significantly contribute to public service and non-profit organizations by conceiving and promoting their awareness campaigns for the good of the society at large. The workshop assignment will be to develop and design an awareness or advocacy poster, or series of related posters for any current political, economic, or cultural issue present within Poland today, or a political, economic, or cultural issue affecting the world today like Women’s Rights including gender-based Inequality, violence against women and/or discrimination against women. Your poster(s) could be distributed through a direct-mail campaign to a general or target audience and/or posted in area institutions such as libraries, colleges, government offices, public transportation systems in and on trains and buses, bus shelters, free-standing street kiosks, and highway systems (billboards).
see you soon
Workshop: 
Women’s Rights Are Human Rights: Designing posters as agency for social change Exhibitions can serve as a lightening rod to illuminate and broaden understanding of diverse human rights issues and movements past and present… Posters can become visible dissent. — Carol Wells Of all the delivery systems now available to explore purposeful ideas and artifacts, the exhibition format is the most immediate and effective means to tell our stories through a focused viewpoint. Unlike fine art, which is essentially about the form (the work’s intent, function and context are viewed through a formal lens), graphic design, in addition to its inherent formal considerations, is best scrutinized through the wider lens encompassing culture, commerce and the developing technologies. Exhibitions are also social acts and can be seen as one form of the social management of messages. The current popularity of exhibitions is due to the fact they help define and to transit to a specific community, ideas and values that are necessary for that group to maintain its self-image. Acting on this conviction, I have organized and curated four socio-political poster exhibition ‘narratives’ from 2005 to the present. Graphic Imperative: International Posters for Peace, Social Justice and The Environment (2005); Graphic Intervention: International Posters for AIDS Awareness (2010); Graphic Advocacy: International Posters for the Digital World (2013) and Women’s Rights Are Human Rights: International Posters on Gender-based Inequality, Violence and Discrimination (2016). This presentation will focus on these four particular opportunities to give voice to disenfranchised communities and their activists working toward the goal of social change. I have personally gained invaluable experience in working on these exhibition projects. This has lead to my firm belief that graphic design is an important artistic and cultural form, and as such, it should be made available and accessible to our students, to our professional communities and to the greater public who benefit by exposure to all forms of creative expression.
assistant: Paulina Kowalska, Andrzej Bach workshop classroom: senate room, building A workshop dates: 24–26.04.2017, 9:00–17:00 lecture: 27.04.2017 15:00–15:30 The Curator as an Agent of Social Change Lecture: 
The Curator as an Agent 
of Social Change Design can and must become a way in which young people can participate in changing society.... The main trouble with design schools seems to be that they teach too much design and not enough about the ecological, social, economic, and political environment in which design takes place. This quote from designer Victor Papanek’s 1971 book, Design for the Real World, has never rung truer. Design students and young design professionals should focus their creative talents on social issues during their formative years to ensure that these ideals will carry into their professional life. Graphic designers, because of their visual art training, possess the strategic tools to create memorable messages. They should be encouraged to use these skills for community and activist purposes, and so that they might significantly contribute to public service and non-profit organizations by conceiving and promoting their awareness campaigns for the good of the society at large. The workshop assignment will be to develop and design an awareness or advocacy poster, or series of related posters for any current political, economic, or cultural issue present within Poland today, or a political, economic, or cultural issue affecting the world today like Women’s Rights including gender-based Inequality, violence against women and/or discrimination against women. Your poster(s) could be distributed through a direct-mail campaign to a general or target audience and/or posted in area institutions such as libraries, colleges, government offices, public transportation systems in and on trains and buses, bus shelters, free-standing street kiosks, and highway systems (billboards).
Workshop: 
Women’s Rights Are Human Rights: Designing posters as agency for social change Exhibitions can serve as a lightening rod to illuminate and broaden understanding of diverse human rights issues and movements past and present… Posters can become visible dissent. — Carol Wells Of all the delivery systems now available to explore purposeful ideas and artifacts, the exhibition format is the most immediate and effective means to tell our stories through a focused viewpoint. Unlike fine art, which is essentially about the form (the work’s intent, function and context are viewed through a formal lens), graphic design, in addition to its inherent formal considerations, is best scrutinized through the wider lens encompassing culture, commerce and the developing technologies. Exhibitions are also social acts and can be seen as one form of the social management of messages. The current popularity of exhibitions is due to the fact they help define and to transit to a specific community, ideas and values that are necessary for that group to maintain its self-image. Acting on this conviction, I have organized and curated four socio-political poster exhibition ‘narratives’ from 2005 to the present. Graphic Imperative: International Posters for Peace, Social Justice and The Environment (2005); Graphic Intervention: International Posters for AIDS Awareness (2010); Graphic Advocacy: International Posters for the Digital World (2013) and Women’s Rights Are Human Rights: International Posters on Gender-based Inequality, Violence and Discrimination (2016). This presentation will focus on these four particular opportunities to give voice to disenfranchised communities and their activists working toward the goal of social change. I have personally gained invaluable experience in working on these exhibition projects. This has lead to my firm belief that graphic design is an important artistic and cultural form, and as such, it should be made available and accessible to our students, to our professional communities and to the greater public who benefit by exposure to all forms of creative expression.
assistant: Paulina Kowalska, Andrzej Bach workshop classroom: senate room, building A workshop dates: 24–26.04.2017, 9:00–17:00 lecture: 27.04.2017 15:00–15:30 The Curator as an Agent of Social Change
see you soon
Lecture: 
The Curator as an Agent 
of Social Change Exhibitions can serve as a lightening rod to illuminate and broaden understanding of diverse human rights issues and movements past and present… Posters can become visible dissent. — Carol Wells Of all the delivery systems now available to explore purposeful ideas and artifacts, the exhibition format is the most immediate and effective means to tell our stories through a focused viewpoint. Unlike fine art, which is essentially about the form (the work’s intent, function and context are viewed through a formal lens), graphic design, in addition to its inherent formal considerations, is best scrutinized through the wider lens encompassing culture, commerce and the developing technologies. Exhibitions are also social acts and can be seen as one form of the social management of messages. The current popularity of exhibitions is due to the fact they help define and to transit to a specific community, ideas and values that are necessary for that group to maintain its self-image. Acting on this conviction, I have organized and curated four socio-political poster exhibition ‘narratives’ from 2005 to the present. Graphic Imperative: International Posters for Peace, Social Justice and The Environment (2005); Graphic Intervention: International Posters for AIDS Awareness (2010); Graphic Advocacy: International Posters for the Digital World (2013) and Women’s Rights Are Human Rights: International Posters on Gender-based Inequality, Violence and Discrimination (2016). This presentation will focus on these four particular opportunities to give voice to disenfranchised communities and their activists working toward the goal of social change. I have personally gained invaluable experience in working on these exhibition projects. This has lead to my firm belief that graphic design is an important artistic and cultural form, and as such, it should be made available and accessible to our students, to our professional communities and to the greater public who benefit by exposure to all forms of creative expression. Workshop: 
Women’s Rights Are Human Rights: Designing posters as agency for social change Design can and must become a way in which young people can participate in changing society.... The main trouble with design schools seems to be that they teach too much design and not enough about the ecological, social, economic, and political environment in which design takes place. This quote from designer Victor Papanek’s 1971 book, Design for the Real World, has never rung truer. Design students and young design professionals should focus their creative talents on social issues during their formative years to ensure that these ideals will carry into their professional life. Graphic designers, because of their visual art training, possess the strategic tools to create memorable messages. They should be encouraged to use these skills for community and activist purposes, and so that they might significantly contribute to public service and non-profit organizations by conceiving and promoting their awareness campaigns for the good of the society at large. The workshop assignment will be to develop and design an awareness or advocacy poster, or series of related posters for any current political, economic, or cultural issue present within Poland today, or a political, economic, or cultural issue affecting the world today like Women’s Rights including gender-based Inequality, violence against women and/or discrimination against women. Your poster(s) could be distributed through a direct-mail campaign to a general or target audience and/or posted in area institutions such as libraries, colleges, government offices, public transportation systems in and on trains and buses, bus shelters, free-standing street kiosks, and highway systems (billboards).
assistant: Paulina Kowalska, Andrzej Bach workshop classroom: senate room, building A workshop dates: 24–26.04.2017, 9:00–17:00 lecture: 27.04.2017 15:00–15:30 The Curator as an Agent of Social Change
see you soon
Lecture: 
The Curator as an Agent 
of Social Change Exhibitions can serve as a lightening rod to illuminate and broaden understanding of diverse human rights issues and movements past and present… Posters can become visible dissent. — Carol Wells Of all the delivery systems now available to explore purposeful ideas and artifacts, the exhibition format is the most immediate and effective means to tell our stories through a focused viewpoint. Unlike fine art, which is essentially about the form (the work’s intent, function and context are viewed through a formal lens), graphic design, in addition to its inherent formal considerations, is best scrutinized through the wider lens encompassing culture, commerce and the developing technologies. Exhibitions are also social acts and can be seen as one form of the social management of messages. The current popularity of exhibitions is due to the fact they help define and to transit to a specific community, ideas and values that are necessary for that group to maintain its self-image. Acting on this conviction, I have organized and curated four socio-political poster exhibition ‘narratives’ from 2005 to the present. Graphic Imperative: International Posters for Peace, Social Justice and The Environment (2005); Graphic Intervention: International Posters for AIDS Awareness (2010); Graphic Advocacy: International Posters for the Digital World (2013) and Women’s Rights Are Human Rights: International Posters on Gender-based Inequality, Violence and Discrimination (2016). This presentation will focus on these four particular opportunities to give voice to disenfranchised communities and their activists working toward the goal of social change. I have personally gained invaluable experience in working on these exhibition projects. This has lead to my firm belief that graphic design is an important artistic and cultural form, and as such, it should be made available and accessible to our students, to our professional communities and to the greater public who benefit by exposure to all forms of creative expression. Workshop: 
Women’s Rights Are Human Rights: Designing posters as agency for social change Design can and must become a way in which young people can participate in changing society.... The main trouble with design schools seems to be that they teach too much design and not enough about the ecological, social, economic, and political environment in which design takes place. This quote from designer Victor Papanek’s 1971 book, Design for the Real World, has never rung truer. Design students and young design professionals should focus their creative talents on social issues during their formative years to ensure that these ideals will carry into their professional life. Graphic designers, because of their visual art training, possess the strategic tools to create memorable messages. They should be encouraged to use these skills for community and activist purposes, and so that they might significantly contribute to public service and non-profit organizations by conceiving and promoting their awareness campaigns for the good of the society at large. The workshop assignment will be to develop and design an awareness or advocacy poster, or series of related posters for any current political, economic, or cultural issue present within Poland today, or a political, economic, or cultural issue affecting the world today like Women’s Rights including gender-based Inequality, violence against women and/or discrimination against women. Your poster(s) could be distributed through a direct-mail campaign to a general or target audience and/or posted in area institutions such as libraries, colleges, government offices, public transportation systems in and on trains and buses, bus shelters, free-standing street kiosks, and highway systems (billboards).
assistant: Paulina Kowalska, Andrzej Bach workshop classroom: senate room, building A workshop dates: 24–26.04.2017, 9:00–17:00 lecture: 27.04.2017 15:00–15:30 The Curator as an Agent of Social Change Lecture: 
The Curator as an Agent 
of Social Change
see you soon
Exhibitions can serve as a lightening rod to illuminate and broaden understanding of diverse human rights issues and movements past and present… Posters can become visible dissent. — Carol Wells Of all the delivery systems now available to explore purposeful ideas and artifacts, the exhibition format is the most immediate and effective means to tell our stories through a focused viewpoint. Unlike fine art, which is essentially about the form (the work’s intent, function and context are viewed through a formal lens), graphic design, in addition to its inherent formal considerations, is best scrutinized through the wider lens encompassing culture, commerce and the developing technologies. Exhibitions are also social acts and can be seen as one form of the social management of messages. The current popularity of exhibitions is due to the fact they help define and to transit to a specific community, ideas and values that are necessary for that group to maintain its self-image. Acting on this conviction, I have organized and curated four socio-political poster exhibition ‘narratives’ from 2005 to the present. Graphic Imperative: International Posters for Peace, Social Justice and The Environment (2005); Graphic Intervention: International Posters for AIDS Awareness (2010); Graphic Advocacy: International Posters for the Digital World (2013) and Women’s Rights Are Human Rights: International Posters on Gender-based Inequality, Violence and Discrimination (2016). This presentation will focus on these four particular opportunities to give voice to disenfranchised communities and their activists working toward the goal of social change. I have personally gained invaluable experience in working on these exhibition projects. This has lead to my firm belief that graphic design is an important artistic and cultural form, and as such, it should be made available and accessible to our students, to our professional communities and to the greater public who benefit by exposure to all forms of creative expression. Workshop: 
Women’s Rights Are Human Rights: Designing posters as agency for social change Design can and must become a way in which young people can participate in changing society.... The main trouble with design schools seems to be that they teach too much design and not enough about the ecological, social, economic, and political environment in which design takes place. This quote from designer Victor Papanek’s 1971 book, Design for the Real World, has never rung truer. Design students and young design professionals should focus their creative talents on social issues during their formative years to ensure that these ideals will carry into their professional life. Graphic designers, because of their visual art training, possess the strategic tools to create memorable messages. They should be encouraged to use these skills for community and activist purposes, and so that they might significantly contribute to public service and non-profit organizations by conceiving and promoting their awareness campaigns for the good of the society at large. The workshop assignment will be to develop and design an awareness or advocacy poster, or series of related posters for any current political, economic, or cultural issue present within Poland today, or a political, economic, or cultural issue affecting the world today like Women’s Rights including gender-based Inequality, violence against women and/or discrimination against women. Your poster(s) could be distributed through a direct-mail campaign to a general or target audience and/or posted in area institutions such as libraries, colleges, government offices, public transportation systems in and on trains and buses, bus shelters, free-standing street kiosks, and highway systems (billboards).
Lecture: 
The Curator as an Agent 
of Social Change
see you soon
Exhibitions can serve as a lightening rod to illuminate and broaden understanding of diverse human rights issues and movements past and present… Posters can become visible dissent. — Carol Wells Of all the delivery systems now available to explore purposeful ideas and artifacts, the exhibition format is the most immediate and effective means to tell our stories through a focused viewpoint. Unlike fine art, which is essentially about the form (the work’s intent, function and context are viewed through a formal lens), graphic design, in addition to its inherent formal considerations, is best scrutinized through the wider lens encompassing culture, commerce and the developing technologies. Exhibitions are also social acts and can be seen as one form of the social management of messages. The current popularity of exhibitions is due to the fact they help define and to transit to a specific community, ideas and values that are necessary for that group to maintain its self-image. Acting on this conviction, I have organized and curated four socio-political poster exhibition ‘narratives’ from 2005 to the present. Graphic Imperative: International Posters for Peace, Social Justice and The Environment (2005); Graphic Intervention: International Posters for AIDS Awareness (2010); Graphic Advocacy: International Posters for the Digital World (2013) and Women’s Rights Are Human Rights: International Posters on Gender-based Inequality, Violence and Discrimination (2016). This presentation will focus on these four particular opportunities to give voice to disenfranchised communities and their activists working toward the goal of social change. I have personally gained invaluable experience in working on these exhibition projects. This has lead to my firm belief that graphic design is an important artistic and cultural form, and as such, it should be made available and accessible to our students, to our professional communities and to the greater public who benefit by exposure to all forms of creative expression. Workshop: 
Women’s Rights Are Human Rights: Designing posters as agency for social change Design can and must become a way in which young people can participate in changing society.... The main trouble with design schools seems to be that they teach too much design and not enough about the ecological, social, economic, and political environment in which design takes place. This quote from designer Victor Papanek’s 1971 book, Design for the Real World, has never rung truer. Design students and young design professionals should focus their creative talents on social issues during their formative years to ensure that these ideals will carry into their professional life. Graphic designers, because of their visual art training, possess the strategic tools to create memorable messages. They should be encouraged to use these skills for community and activist purposes, and so that they might significantly contribute to public service and non-profit organizations by conceiving and promoting their awareness campaigns for the good of the society at large. The workshop assignment will be to develop and design an awareness or advocacy poster, or series of related posters for any current political, economic, or cultural issue present within Poland today, or a political, economic, or cultural issue affecting the world today like Women’s Rights including gender-based Inequality, violence against women and/or discrimination against women. Your poster(s) could be distributed through a direct-mail campaign to a general or target audience and/or posted in area institutions such as libraries, colleges, government offices, public transportation systems in and on trains and buses, bus shelters, free-standing street kiosks, and highway systems (billboards).
assistant: Paulina Kowalska, Andrzej Bach workshop classroom: senate room, building A workshop dates: 24–26.04.2017, 9:00–17:00 lecture: 27.04.2017 15:00–15:30 The Curator as an Agent of Social Change